BAND-MAID is a Japanese band attracting many fans from all over the world, that plays hard rock while dressed as maids. The band is comprised of five members, starting from guitarist, lead singer and lyricist, Miku Kobato, guitarist and songwriter, KANAMI, drummer AKANE, bassist MISA, and another lead singer SAIKI. They are taking over the world with all their world tour shows in the US, the UK, and Europe being sold out. Recently, they are becoming even more recognized from their appearance in the Netflix original film, Kate, which came out this September. 

In the first part of the interview, we sat down with the girls and talked under the theme, “Why is BAND-MAID so popular abroad”—In part two, they spoke candidly about Kobato’s solo project, cluppo; their appearance in the Netflix film, Kate; doing an opening theme song for the TV anime series, Platinum End, with the song, “Sense”; Japanese girl bands in general; and things relating to BAND-MAID’s future as a band.  

――Kobato, I was surprised with your solo project, cluppo.

SAIKI: HAHAHA!

Kobato: Did I surprise you? Then, I’m happy. 

――I thought it was going to be just an April Fools’ joke, but you actually went on and released a single CD, “PEACE&LOVE/Flapping wings,” on August 10^th, the national pigeon day. 

Kobato: That’s right. Originally, it was just a surprise—I wanted to surprise everyone.

――It seems like you’ve put a lot of effort into this song.

Kobato: Before cluppo, we’ve done high-quality stuff in our past April Fools’ projects, so I started the project thinking, cluppo shouldn’t be a half-hearted thing; if I’m doing this, I should do it seriously enough that it’s hard to tell whether if it’s real or not. If it doesn’t work out, I can just end it, and if it works out, I can carry on with it. 

――And you earned great responses, more than you expected. 

Kobato: That’s right. A lot of people were thrilled with it, so we were like: “Let’s do something with this again,” “I would love to,” “Alright then, let’s make it happen in August.” So, at that time on April 1^st, releasing a single in August wasn’t a plan yet.

――It’s a great song, by the way. 

Kobato: Thank you. We thought that it wouldn’t make sense if I did something that I’m already doing with BAND-MAID, so I did something completely opposite. 

――Though, it’s not a typical J-POP either.

Kobato: That’s true. It would be mundane if I did something close to J-POP, so in the beginning, like with BAND-MAID, we came up with a concept for cluppo. There’s this song called “HIPPIE-POPPO” from the 60s or the 70s. I reinterpreted the song and infused a modern mood to it, and established cluppo’s unique style.  

――I feel like cluppo is going to go on permanently. 

Kobato: I think releasing the CD on August 10^th was cluppo’s new starting line, and I hope I can continue the project as part of a surprise.  

――And SAIKI, how do you view this cluppo project? 

SAIKI: At first, Kobato didn’t have me listen to the song nor say anything about the project, so when she came to me asking to check the music video, I was like, “what, you already have the song!?” After we all saw the video, we were like, “You’re nailing it! Go for it!” [laughs].

Kobato: AKANE is a fan now.

SAIKI: AKANE is, unequivocally, a fan! Because when we did a show, BAND-MAID “THE DAY OF MAID” on May 10^th, the day of maid, cluppo was the opening act, and AKANE went to see cluppo’s rehearsal and every time I pass by her, she kept saying, “Ah, it’s cluppo! She’s amazing! So amazing!” [laughs].

Kobato: I was like, “it’s still me. How could you see me so differently!?” 

SAIKI: I reminded her, too, like “You know, that’s Kobato.” [laughs].

Kobato: Couple days ago, I told her that the CD came out, and she asked me, “Could I possibly get an autograph on both the CD and T-shirt…?” I was like, “Are you serious!?” [laughs].

SAIKI: She’s the only one behaving oddly [laughs].

Kobato: KANAMI, on the other hand, was like, “the song, it’s amazing. I especially love this part!” AKANE is the only one being weird. I’m grateful for her, though. 

SAIKI: Anyway, the takeaway is that all the members are giving cluppo the best support. [laughs]. 

BAND-MAID is certainly moving forward

――Releasing “PEACE&LOVE/Flapping wings” acted as a good bridge to start streaming “Sense (TV Size Ver.)” on September 5^th. On October 27th, the full version of “Sense” was released on CD.

Kobato: Recently, I’ve been more active as cluppo, so I think people were even more surprised with it.  

――I heard the full version of “Sense,” , you’ve managed to fit a lot into it. 

 Kobato: The song is a tie-up with the TV anime show, Platinum End, and it’s got a different BAND-MAID mood from the kind we normally create for our albums—it’s spiced up and there’s a lot of details in this version. 

――I first heard the full version of “Sense,” and although the TV version is made shorter, you’ve managed to fit a lot into it.  

Kobato: The song is a tie-up with the TV anime show, Platinum End, and it’s got a different BAND-MAID mood from the kind we normally create for our albums—it’s spiced up and there’s a lot of details in this version. 

――I absolutely feel so especially in the intro. 

Kobato: We had some requests from the [anime] production committee as well, so the intro changed a bit from what we had in the demo and turned out the way it sounds now. The orchestra sounds more dynamic. 

――And this song is boosting BAND-MAID’s potential. 

Kobato: True. KANAMI was saying, “I’ve acquired a lot!” 

――The song doesn’t merely go by quickly with a momentum, and it’s intricately well structured. 

SAIKI: That’s true. It’s new, but you can still feel KANAMI’s aesthetic from the structures and riffs.  

――Also, after a long delay, Netflix film, Kate, finally came out.

Kobato: I know! We were eagerly waiting for it to come out. We were worrying like, “what if it’s canceled…?”  

SAIKI: We thought our part was cut [laughs]. But then, we saw the trailer and we were surprised that we were there. 

――It was right when your song for Platinum End came out, so it was perhaps a good timing. 

Kobato: That’s true. We were able to make multiple announcements.

SAIKI: With this band, everything works out in the end [laughs].

――The US tour, EU tour, and Asian tour got canceled, and we’re still uncertain about the future, but how do you, as BAND-MAID, picture the future? 

Kobato: We still want to dominate the world but doing an online Okyu-ji (show) during the pandemic was a huge accomplishment for us. Before the pandemic, we’d never thought about doing an online Okyu-ji, but we’ve realized that it’s actually an alluring way to have people from all over the world enjoy our Okyu-ji, so now we’re positive towards it and hoping to use this medium to achieve our goal of world domination.  

SAIKI: We, of course, want to perform in front of live audiences, but we’re well aware that things won’t be the same as before the pandemic and it’s going to take a while for things to get back to normal. Meanwhile, we ask our masters and princesses (the fans) to hold on tight with us until it’s safe to perform live again. We want to stay cheerful, looking forward to the day we see that amazing view again. 

――I believe, BAND-MAID would not be likely to dwell on negative thoughts.  

Kobato: We don’t dwell on things. With our characters, it goes against our grain to be upset and whine like, “it sucks that we can’t do our thing properly….”

SAIKI: The entire team knows that “Now is not the time to do live Okyu-ji,” and it’s better to wait until we’re safe to see each other again than taking risks. Last May, we started an online streaming service (limited to subscription members only,) and although we don’t know when we’d be able to announce good news regarding our Okyu-ji, we’re thinking of various other ways to entertain and please our masters and princesses, providing fun contents to them—so we hope they enjoy our new challenges together. 

Kobato: People often say, “BAND-MAID is taking a break because of cluppo!” But please don’t worry! BAND-MAID is working on its own thing! I hope people see cluppo as a filler until BAND-MAID is ready for the next thing.

――So, you’re saying people shouldn’t take things too seriously. 

SAIKI: Yes, there’s nothing for them to worry [laughs]. 

We want more girl bands in Japan to thrive

――What do you think about the Japanese girl rock bands thriving these days? 

Kobato: I’m honestly happy.

SAIKI: I’m happy, too. Back when we started the band, there were many bands out there doing pop music and not many girl bands were pitching themselves as “kakko ii (cool) girls.” But now, as times changed, there are more of those [kakkoii] girls, and I’m happy to see hard rock fans livening up. 

――Couple days ago, you guys were featured in the TV show, “Matsuko no Shiranai Sekai (The World Unknown to Matsuko.)”

SAIKI: We weren’t told ‘till last minute!

Kobato: We were just told, “You guys might be featured in the show, so be sure to check it out, just in case,” and when we saw it, we were surprised like, “Wait! They’re actually mentioning our name!” 

――In the show, Ms. SAKI from Mary’s Blood was saying that when the international media asked her, “In Japan, women are in lower social status, but why are there so many girl bands?” she responded, “In that sense, shouldn’t there be more girl bands in your country?”—I thought that was a cool story. 

SAIKI: I agree! I thought to myself, “Well said!” [laughs].  

Kobato: I hear that in other countries, there aren’t as many girl bands as there are in Japan. It’s even at a point where we often get asked like, “Why are you playing the instruments?” It seems like in other countries, the idea of starting an all-female band is not much of a thing these days. 

SAIKI: We often see bands with a female bassist, but all-female band is still rare. 

――There used to be quite a lot of female bands in overseas countries, especially in the 1990s. 

SAIKI: Ah, I see. So, now it’s decreasing. 

Kobato: I wonder why, but simply, it might have to do with cultural and historical differences, rather than gender differences. But still, I’m hoping for female bands to thrive more! Since the beginning, we’ve been saying, “It’d be cool if we could lead girl bands to thrive.”  

――In another interview, I heard from SAKI, “In Japan, women are treated as women, and I think that allows us women to do girl bands in whatever form we want.”  

SAIKI: Right, there aren’t that many [female] bands abroad that go for the cute look. They’re more towards sexy or cool.  

Kobato: People overseas are familiar with the word, “Kawaii,” so I think the kawaii culture in Japan is huge.  

SAIKI: In Japan, there are many different types of girls, and I think that’s widening the spectrum. Even if you say, “a Japanese-ish girl,” I feel like there are way too many different types compared to in other countries. I just realized as I speak, that the high level of freedom in fashion [in Japan] may be somewhat relating to this point.  

Kobato: There are so many unique types of girls in Japan. 

――That’s true. In Japan, there are even sub-genres of Kawaii. 

Kobato: There’s a lot! Like, Harajuku-kei (Harajuku-style), Akiba-kei (Akiba-style.)

SAIKI: Also, there’s Yami-kawaii (dark cute girls) and many more.

Kobato: I feel like there’s increasingly more different kinds nowadays. Jirai-kei, Pien-kei…[laughs].

SAIKI: Absolutely, I just can’t keep up. I’m like, “Don’t they all look the same?” [laughs].

――In fact, I can’t even keep up with the Kawaii fad [laughs].

Kobato: I think anime is a big influence in this. In Japan, the anime culture plays a huge role, and people get excited when there’s a new character.

――That’s true. Girls start cosplaying in that new character, and other girls follow and emulate them. 

SAIKI: It’s because we have so many anime shows for girls. 

Kobato: Yeah, there’s a lot. In overseas countries, American comic superheroes are more common, and I think there are more girl protagonists in Japanese anime. Say, for example, Cutie Honey and Sailor Moon. I feel like it’s always been this way.  

――If I think of a US manga or anime with a woman protagonist, I would immediately imagine Wonder Woman. 

Kobato: They usually portray strong women. If not, pretty women like Cinderella. 

SAIKI: Yeah, and also elegant women; I think each country’s view on femininity is reflected on these female characters. 

――So, I guess what we can say is that this country’s culture is the major part of the reason why there are a wide variety of girl bands in Japan. 

Kobato: Yes, I think Japanese culture is major. If you even look at us, we’re dressed as maids [laughs].

SAIKI: The entire genre of Kawaii is in this band [laughs].

Kobato: But I’ve got to say, I’m happy with the fact that, recently, there are increasingly more young girl bands coming out. 

――There are [female] bands that want to be seen simply as a band, and not as a girl band. 

Kobato: We don’t really care now, since there are more hard rock girl bands making appearances in the media and the world now seems to properly understand what girl bands are, though, when BAND-MAID first started, girl bands were lumped together as “idol groups,” and we wanted to prove to people that “we aren’t idols!”  

SAIKI: We were like, “It’s okay if people call us a girl band, but just don’t forget that we’re a band!” 

Kobato: Back then, there were quite a lot of bands that weren’t actually playing the instruments on their own, and we wanted to show that we were different from them; I think that was huge. 

SAIKI: It’s been years since we started, and we have more songs in our repertoire and our own staple tunes that make people say, “these songs are unique to BAND-MAID,” so I don’t care anymore about how people label us. 

――In the near future, I hope to see you become an influential presence with many followers.   

Kobato: We would love to be like that. We want to be more recognized in Japan as much as we are recognized abroad! [laughs]. Also, we want to do our best and be more known outside of Japan!   

BAND-MAID
A hard rock band from Japan formed in 2013. Consisted of five members: Miku Kobato (guitar/lead singer), SAIKI (lead singer), KANAMI (guitar), AKANE (drums), and MISA (base). With their heavy rock sound, opposed to their appearance as maids, they are gaining fans and garnering media attention from all around the world, and have reached over 100-million total YouTube views. In 2019, they announced tour partnership with the world’s largest event promoter, Live Nation, and released the album, Conqueror, produced by the legendary rock producer, Tony Visconti. In January 2021, they released their 4^th album, Unseen World, and made an appearance in the Netflix original film, Kate, that came out in September. On September 6^th, they released “Sense (TV Size Ver.)”—an opening theme song for the TV anime series, Platinum End—on streaming platforms; a CD single of “Sense” was coming out on October 27^th. 
■BAND-MAID “Sense”Music Video
https://youtu.be/BWN6iOFjm9U
■BAND-MAID “Sense”
https://band-maid.lnk.to/Sense
■BAND-MAID “Sense”
BAND-MAID.lnk.to/Sense_CD
Twitter：@bandmaid
Facebook：＠BAND-MAID
Instagram：＠bandmaid.jp
YouTube：https://www.youtube.com/channel/UCJToUvYrmkmT

cluppo
The founder of BAND-MAID, Miku Kobato’s solo project. Defining a new music genre christened “HIPPIE-POPPO,” cluppo re-interprets the good old 70s music into lovely peaceful music. 
https://www.cluppo.tokyo/

Photography Akihito Igarashi（SIGNO）
Translation Ai Kaneda

The post “BAND-MAID is Certainly Moving Forward” Interview with Global Icon BAND-MAID Part.2 appeared first on TOKION - Cutting edge culture and fashion information.

BAND-MAID is a Japanese band attracting many fans from all over the world, that plays hard rock while dressed as maids. The band is comprised of five members, starting from guitarist, lead singer and lyricist, Miku Kobato, guitarist and songwriter, KANAMI, drummer AKANE, bassist MISA, and another lead singer SAIKI. They are taking over the world with all their world tour shows in the US, the UK, and Europe being sold out. Recently, they are becoming even more recognized from their appearance in the Netflix original film, Kate, which came out this September.

In Part.1, we sat down with Kobato and SAIKI and talked under the theme, “why is BAND-MAID so popular overseas?” We had them reflect back on their times since they started the band, and speak about how they became known overseas, their shows outside of Japan, and their sentiments embedded in their Japanese lyrics.

――It’s been nine years since you started BAND-MAID. You’re still in the midst of your global invasion, but looking back from where you started, don’t you think you’ve come a long way and accomplish a lot already?

Miku Kobato (from hereunder, Kobato): Actually, BAND-MAID was about to end after two years of starting the band. But we were saved by our overseas audience, and we were able to continue as we were getting good responses from them. If our old selves saw us, I don’t think we would be like, “it’s impressive you’ve come this far,” but instead, they’d be surprised like “wow, you guys are doing this for nine years!?”

SAIKI: We’ve never really told this story before [laughs].

――I didn’t know about it! Was it the “Thrill” MV that made you to be recognized overseas?

Kobato: That’s right. If we didn’t have that, the band was going to end.

SAIKI: But back then, we still didn’t know about it, and we were told sometime later, “that was going to be your last release.” And we all went, “What!?”

Kobato: One day, the head of our agency told us so, and we were all surprised like, “are you serious!?”

SAIKI: Then, we all sighed, “aren’t we glad we made it further…” [laughs]. So, we’re here all because of “Thrill.”

――You can never guess what’s going to happen. Thinking back, other than the novelty of the band’s visual presentation, what do you think fascinated the overseas audience?

Kobato: I think the difference between our music and how we look is interesting to them. We got a lot of comments saying, “are they really playing those instruments!?” People were shocked seeing us girls dressed in cute clothes rocking the instruments. I think people aren’t still use to it.    

――So in that sense, without this winning strategy, you might have not been recognized, even if you still played good music.

Kobato: People overseas knew maids were a thing in Japanese culture, so many people were already curious about us. I think the video was effective.  

――I remember that’s how things worked in the 2010s.

SAIKI: We wouldn’t be here, if we didn’t put out that video.

――Were there any other interesting things people from abroad said to you?

Kobato: Yes, things like, “‘Thrill’ has an American rock vibe.” Also, each member has a unique persona, and since I was using Rickenbacker, someone said something like, “they are the Japanese Beatles!” [laughs]. Ever since SHOW-YA, there weren’t that many girls doing hard rock in Japan, so people were surprised when they saw us and said, “can’t believe there’s a rock band like this in Japan!”

Going worldwide was our goal from the start

――Before this interview, I re-read an interview I did with you five years ago for a different media, and it didn’t feel much different from now.

SAIKI: Oh wow [laughs].

Kobato: So, you mean we haven’t changed?

――You were saying things like you wanted to go international or “one day we want to be able to write songs on our own,” because back then, you were commissioning other songwriters to write your songs. So, what I meant was that you always had a clear vision of yourselves.  

Kobato: We had never imagined we’d be this far, but we’ve been saying that we want to go global and had a big goal since the beginning.

SAIKI: Other than the big goals, we talked about smaller goals as well, and we found out that all five of us unanimously wanted to do the same type of music, so that made us easy to move forward. You see, with bands, if there’s one member that’s off, that just messes up the entire band [laughs]. But with BAND-MAID, that has never been the case. 

Kobato: That’s true.

SAIKI: It may be weird to say this ourselves, but we’re all quite serious that people tell us, “You guys need to have more fun!” We’re determined and have a lot of pride in what we do, and I think that’s what’s good about us.

――Jrock Rock, that introduced the “Thrill” MV to the world, was the reason you decided to pursue hard rock, right?  

Kobato: That’s right!

SAIKI: We were so surprised [laughs].

Kobato: I know! All of the sudden, we had so many followers from abroad on our socials, and we were saying, “is our account hacked!?” But KANAMI first found out that it’s because of Jrock Radio [playing the “Thrill” MV on their show].

SAIKI: Yes.

Kobato: Then we were relieved like, “so glad, our account wasn’t hacked.” It was that random.

――So they played your music without giving you a heads up.

SAIKI: Apparently, they did write us an email, but it was in English and our manager at that time thought it was a “bad” email, so he just ignored it.  

Kobato: At that time, we weren’t doing anything to approach the international market, so we weren’t expecting to receive any email from abroad.

SAIKI: I wonder how they found out about us. I think I asked before, but I forgot [laughs].

Kobato: Me too.

The first overseas concert was in Mexico

――And that opportunity led you to perform outside of Japan, but at that time, you didn’t know much about how to perform on international stages. How did you deal with it?

SAIKI: In the beginning, it was a lot of work buying supplies for our international shows. We had no clue what we were able to buy abroad or what we had to bring from Japan.

Kobato: But thankfully, our first Okyu-ji (show) abroad was at a big event (Sakura-Con that was held in Seattle, Washington, in March 2016) and they had prepared most of the stuff we needed on site, so that made it easy for us. There were still couple things we later thought we needed, but we made note of that for next time.   

SAIKI: Though, we still need to work on our heavy baggage!

Kobato: We always take up so much time at the airport.

SAIKI: In the beginning, we used to take about six hours to check-in at the airport.

――What!? Is that when you had to fly for your first Okyu-ji in 2016?

Kobato: That’s right. It was the toughest when we had to fly for our show in Mexico. I was like, “gears can go in here…but wait, then my clothes won’t fit in the suitcase!” Back then, my suitcase wasn’t that big, so packing was crazy for me. I had to bring in a huge carryon bag. 

――By the way, it’s amazing how your first-ever overseas solo Okyu-ji was in Mexico.

Kobato: When we were suddenly told, “you guys are playing in Mexico,” our reaction was like, “what!? Mexico!?” Back then, we had more fans in Mexico than in the US.

After the Jrock radio thing, we increasingly got messages from people in Mexico, and a promoter in Mexico liked us a lot and told us, “Since you have so many fans in Mexico, we’d love for you to come to Mexico!” But we had never imagined that Mexico would be our first country, and we were told that it was going to be a thousand capacity venue. At that time, we hadn’t done shows that big even in Japan. So, we were like, “what if they [our masters and princesses] were just up in the front row?” But the actual show was packed, and we were so incredibly surprised!

SAIKI: We felt welcomed, and they were all raving, so we were able to have a great time.

Kobato: They were raving over all our songs.  

SAIKI: The crowd was different from the crowds in Japan, so in a good way, we felt a difference from our shows in Japan.

――Usually, artists gain confidence from performing in Japan, and then they’d be like, “alright, let’s go overseas!” But in BAND-MAID’s case, it’s the opposite—you came back gaining confidence from performing outside of Japan [laughs].

SAIKI: Because of our experiences overseas, we became strong-hearted, so even if trouble occurs during our tour in Japan, we’d be like, “it’s nothing compared to what we’ve been through before.” We’re like, “at least we can rehearse! We’re grateful!” [laughs].

Kobato: We’re also more appreciative of things like, “thank god, we can communicate in Japanese!”

SAIKI: The rehearsal before our overseas tour was like, “alright! We’re gonna do this!” [laughs].

Kobato: For overseas shows, we had a different motivation. We prepared without expecting to have rehearsals on site. We’ve experienced way too many troubles outside of Japan.  

SAIKI: But our world tour in 2019 was great.

Kobato: That was awesome!

SAIKI: That was our first successful tour, although there were many small troubles, like our amp was burning.

Kobato: Oh yeah, our amp burned. I smelled something burning, and it was the amp.  

SAIKI: That was in Dallas, US. But that’s about it.

――An amp burning is no big deal to you.

Kobato: After all, it became not much a big deal for us!  

Writing songs thinking of overseas and being particular with the Japanese lyrics

――Since you started touring overseas, do you think about overseas audience when writing songs?

Kobato: We do! Audience outside of Japan do a lot of call-and-response, so we decided to have more singalong songs, and with lyrics, we try to have more parts that are easier to sing even for people who don’t speak Japanese.

――But, you decided to keep singing in Japanese. Kobato: That’s right. In fact, many people abroad tell us that they like the songs in Japanese. There are a lot of people studying Japanese from our lyrics and asking us what the kanji used in our lyrics mean, so we were like, “let’s cherish the language, and keep writing in Japanese.”  

――In the past, people tended to think that they had to make the lyrics in English in order to go worldwide.

Kobato: We never cared from the beginning, and always wrote lyrics in Japanese.  

SAIKI: Since we’re Japanese, it’s easier to express the nuances and close to what we truly want to convey in Japanese. People can interpret the lyrics however they want, but we don’t want them to take the lyrics in the way we don’t intend, so in order to avert that risk, we choose to write in Japanese.

――It’s also easier to put out your emotions in Japanese.

SAIK: I agree. Hearing us live, people can feel the depth of the language through things like intonation. So, we will sing in English for the parts we want to express in English, and in Japanese for the parts we want to express in Japanese. Also, by doing so, we wanted to boost the level our freedom of expression.

――So, the parts in English are deliberately in English.

Kobato: That’s right. We decide like, “this part should be in English.”

SAIKI: There are different intonations in both English and Japanese. When we listen to a melody that KANAMI brings, the song is going to sound good if it’s made based on whether we think the song has an English vibe or a Japanese vibe. BAND-MAID songs are so calorie-consuming in general, with many words and notes, so we try to write lyrics that are easy for people to listen.  

PART2 

BAND-MAID
A hard rock band from Japan formed in 2013. Consisted of five members: Miku Kobato (guitar/lead singer), SAIKI (lead singer), KANAMI (guitar), AKANE (drums), and MISA (base). With their heavy rock sound, opposed to their appearance as maids, they are gaining fans and garnering media attention from all around the world, and have reached over 100-million total YouTube views. In 2019, they announced tour partnership with the world’s largest event promoter, Live Nation, and released the album, Conqueror, produced by the legendary rock producer, Tony Visconti. In January 2021, they released their 4^th album, Unseen World, and made an appearance in the Netflix original film, Kate, that came out in September. On September 6^th, they released “Sense (TV Size Ver.)”—an opening theme song for the TV anime series, Platinum End—on streaming platforms; a CD single of “Sense” is coming out on October 27^th. 

BAND-MAID「Sense TV Size Ver.」：https://lnk.to/Sense_TVSizehttps://bandmaid.tokyo
Twitter：@bandmaid
Facebook：＠BAND-MAID
Instagram：＠bandmaid.jp
YouTube：https://www.youtube.com/channel/UCJToUvYrmkmTCR-bluEaQfA

Photography Akihito Igarashi（SIGNO）
Translation Ai Kaneda

The post “We Might Have Lasted Only for Two Years” Interview with Global Icon BAND-MAID Part.1 appeared first on TOKION - Cutting edge culture and fashion information.