How did the Eraser series—which has a concept of ‘extricating from anthropocentrism’—come to live? And what endeavors were undertaken? The aforementioned questions are elucidated by the words of Toshiki Okada and Teppei Kaneuji.
Ichiko Aoba’s new album is a soundtrack to a fictional film. How was it made? The following is a discussion between Ichiko Aoba and her two collaborators.