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What Legendary Guitarist Randy Rhoads Left Behind: Director Andre Relis’ Message in Randy Rhoads: Reflections of a Guitar Icon
Randy Rhoads: Reflections of a Guitar Icon, a documentary film about the late guitarist, has been released exclusively in Japan to mark the 40th year since his departure. We spoke to the director, Andre Relis, who came to Japan to celebrate the film’s release. -
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Alan McGee of Creation Records, The World’s Most Successful Independent Label, Looks Beyond Success and Ruin
Interview with Alan McGee, founder of Creation Records, the world’s largest indie label with many bands. -
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Rikako Yagi’s Movie Column: Films Yagi Wants to Watch When She Is Struggling with Her Actor Career
Rikako Yagi, whose appearance in the Netflix original series “First Love: First Love” is a hot topic, introduces the movies that have influenced her in her acting career. -
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“Collaboration” before “Convention”: Aiko Masubuchi and the Future of Japanese Film
Aiko Masubuchi, a curator, producer, and translator based in New York and Tokyo, discusses the future of Japanese film. -
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The World of Hirotaka Nozaki (aka Nozaki-kun) Portrayed in the Short Film Endangered Species
Hirotaka Nozaki, aka Nozaki-kun, spends his days visiting zoos and aquariums and working on film production. His short film Endangered Species reveals the real picture of the enigmatic Nozaki-kun. -
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Enjoyed Drive My Car? Then Nippon Connection Is Your Answer, the Japanese Film Festival Featuring the Most Exciting and Latest Lineup From Japan
Nippon Connection, a Japanese film festival in Frankfurt, Germany, is returning to in-person screenings for the first time in two years. The 22nd edition of the festival will be held from May 24 to 29. It will screen more than 100 of the latest Japanese films and present cultural programs to experience Japanese culture through workshops, lectures, concerts, and other events. Some films will be offered online after the festival. -
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The Film Drive My Car’s Effortlessness and What It Obscures
A column about Drive My Car written by critic Shun Fushimi, about the film’s effortlessness and what it obscures. -
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America, coronavirus, and music: Director Taketoshi Sado made Haruomi Hosono’s first U.S. solo shows into a movie
Haruomi Hosono’s concert documentary, which was shot in 2019 in New York and Los Angeles, is finally complete. Director Taketoshi Sado, a close collaborator of Hosono’s, tells us how Hosono feels about the U.S. -
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Skaters are eliminated and reappear: Interview with Yuki Kobayashi, the director of “Wings of The Abyss”
Up-and-coming filmmaker Yuki Kobayashi talks about his latest movie, “Naraku no Hane (Wings of the Abyss),” which depicts skaters who are being excluded from society. -
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Filmmaker/anthropologist Akimi Ota on the importance of connecting with people on the other side of the earth
Akimi Ota captured the world’s attention with his directorial debut Kanarta: Alive in Dreams. Just in time for the film’s theatrical release in Japan, we spoke to him about the filmmaking process—from conception to production—as well as his sentiment behind the film. -
