時音 Vol. 18 The Evolutionary Era of Singer Ado

Culture can be born out of a specific time and place, and yet, it can possibly possess the ability to become timeless. In this series, “時音” TOKION invites people who are shaping culture today, to talk about the past, present, and future.

The 18th installment features Ado, a celebrated artist of today. After making her major debut with “Usseewa” in 2020, she’s fascinated the masses, regardless of age or gender. The theme song for One Piece Film Red, “New Genesis,” landed in the top 100 across all streaming platforms and became a hit. Ado scored the top spot on Apple Music’s global charts, thus gaining worldwide attention. The two shows that she’s done sold out, which became big news.

Today, each action she takes reverberates throughout the nation; what does the 20-year-old singer think about herself? We talk about Ado’s song with Ringo Sheena, “Missing,” and who the singer changing the 2020s is.

Ado
Ado is a singer born on October 24th, 2002. She became a social phenomenon with her major debut single, “Usseewa,” and breathed new life into the Japanese music scene. The soundtrack to the globally popular film, One Piece Film Red, titled Uta no Uta, features the theme song, “New Genesis,” which has been well received. In October, she teamed up with Ringo Sheena and released “Missing,” the theme song of the film Karada Sagashi. Ado will go on her first tour, “Ado Live Tour 2022-2023 Shinkiro,” on December 2nd. 
https://www.universal-music.co.jp/ado
Twitter:@ado1024imokenp
Instagram:@ado1024sweetpotet
YouTube:Ado

“New Genesis,” a song tying fiction and reality

――Your name became recognized all over Japan within two years of your debut. How have these two years been for you?

Ado: It’s been an eventful two years. People learned about me through my major debut song, “Usseewa,” and I had a lot of amazing opportunities, like singing theme songs for films and TV shows. I’ve just continued to sing. I’ve had two live performances, and most recently, I sang the songs Uta sang in the film One Piece Film Red, so I feel like my voice has reached even more people than before. Once I announced my nationwide tour, I collaborated with Ringo Sheena-san for “Missing.” I don’t have enough words to talk about the great things that have happened to me.

――The theme song for One Piece Film Red, “New Genesis,” earned the number one spot on Apple Music’s global charts; it’s been an enormous success. How does it feel to get this kind of response?

Ado: I’m sure this song has gotten a big reaction because of One Piece’s popularity. I felt anxious when I got approached to sing the part of Uta. I was worried about whether people would accept the disparity between Uta’s aesthetic and my singing voice and whether I could embody her as a songstress.

Uta is a character that’s adored worldwide as a songstress of a new era, and in reality, the song “New Genesis” became loved by people worldwide. I felt like what was happening inside the anime connected to the real world. I’m so grateful to be a part of it, and I want to thank everyone involved in the film from the bottom of my heart. 

――You had your first solo show on April 4th, called “Kigeki,” and your second, called “Campanella,” on August 11th at Saitama Super Arena, both of which excited your fans. What are your thoughts on live shows now that you’ve done them twice?

Ado: I love performing live. I want to continue doing it. Now that I’ve done two shows, I want to deliver even better performances and make everyone even more inspired. I hope to continue growing onstage and do my best so people can say my latest show was the best one I’ve ever done. I have a cohesive theme for my tour, so I want to give a high-quality performance wherever the venue is.

Photography Viola Kam

Working on “Missing” with Ringo Sheena

Ado “Missing”

――You mentioned her name, but you released “Missing” with Ringo Sheena-san. How was it like recording with her?

Ado: I sang in front of her in the recording studio and incorporated her advice into my vocal performance. Ringo Sheena-san brought out a different side of how I usually sing.

――Can you expand on that? 

Ado: The intro to the first verse has a cold feel. Ringo Sheena-san asked me to sing unnaturally, like a Vocaloid. I felt like she understood me deeply when she said that. It made me happy because it seemed like she thought about how I got into singing because of Vocaloids. I also felt a sense of surprise, and it reaffirmed how “Missing” is truly a song by both Ringo Sheena-san and me because of the process we went through.

――In regards to the making of “Missing,” Ringo Sheena-san has said you sound like the ideal stray cat, which sent shivers down her spine. What are your thoughts on that?

Ado: I was surprised to learn that being called a stray cat can be a compliment. I don’t know how to explain my singing voice, but it felt right when Ringo Sheena-san did. It was very like her to say that about me, so her words made me happy from the bottom of my heart. The expression is very humorous and unique.

―― agree. I got what she meant when she said that.

The necessity to have fun while singing

――I’d like to know about your background. ORIHARA-san is your image director. How did Orihara-san come to draw your image for you?

Ado: ORIHARA-san used to draw fan art for me. They draw memorable illustrations, so I was instantly attracted to them and used them for my YouTube icon. After that, I had to think of someone to create images for me once I made my major debut, so I asked ORIHARA-san to do it. 

――You felt like ORIHARA-san’s illustrations spoke to you.

Ado: Yes. They portray the person I want to be even when I don’t have the words to describe it. They understood who Ado was and drew illustrations that went beyond the idea I had in my mind. The quality of their illustrations improves yearly, and I think that’s great.

――Your tour, “Ado Live Tour 2022-2023 Shinkiro,” is happening in December. What are your goals for the tour and plans for the near future?

Ado: I feel like my nationwide tour, “Shinkiro,” is the next step from my show at Saitama Super Arena, which was a massive goal of mine. This tour and set of shows will show me what lies in the distance, whether that’s reality or otherwise. My goal is to become the ideal singer. One of my objectives is to reach a point where people get surprised because of how shocking, brilliant, and cool I can be. 

――Are there any specific steps you have in mind to get there?

Ado: One step is to interact more with my foreign fanbase. More people can listen to my songs in other countries, so I’d do shows abroad if people want me to, and I also want to communicate with them. That’s one of my goals. I also strive to perform on bigger stages. I want to play at big venues that I haven’t yet within these next few years.

――What do you do daily to polish your voice so you can be Ado? Do you have any advice for children who want to be like you and younger fans?

Ado: Keep singing, and have fun doing it. If you don’t give up on what you love doing and keep believing in your singing abilities, singing will become your friend. 

Text Ryo Tajima
Translation Lena Grace Suda

author:

Shuichi Aizawa

Born in Miyagi Prefecture. After editor of street culture magazine and catalogs, he joined INFAS Publications in 2018. After working in the editorial department of “STUDIO VOICE”, he currently belongs to the “TOKION” editorial dept. Currently, He enjoys parenting.

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