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「時音」Vol.12 The Idea Behind Photographer Yoshihiko Ueda’s Film: “Truth Only Exists Right by You”
Photographer Yoshihiko Ueda Talks About Truth He Wanted to Convery in His First Film, A Garden of Camellias. -
「時音」Vol. 11 Hikari Ōta of Bakushō Mondai discusses comedy and political correctness
Hikai Ōta, one half of the comedy duo Bakushō Mondai, expounds on the relationship between comedians and political correctness. -
「時音」Vol.10 Miwa Nishikawa’s “Under the Open Sky” is a story that needs to be told
Director Miwa Nishikawa spent 3 years completing the script for “Under the Open Sky.” On February 11th, 2021, it was finally released nationwide. This interview talks about the film, which portrays the true nature of humankind, plus a little more. -
「時音」Vol.8 Night Tempo unravels the appeal towards retro culture in this fast-paced society
Without giving in to nostalgism, Night Tempo tells us about his relationship with Japanese Shōwa era’s music and culture. -
BABYMETAL explores the new frontier 「時音」Vol. 7
As BABYMETAL celebrates its 10th anniversary, SU-METAL and MOAMETAL reflect on what’s changed and what hasn’t in the past 10 years. -
「時音」Vol.6 Artist Chiharu Shiota: Pondering the soul, memories, and mortality
Based in Berlin, Chiharu Shiota is a Japanese artist who has had over 300 exhibitions worldwide. We talked to Shiota about her thoughts on the body and soul, as well as the future of her artistic expression. -
「時音」Vol.5 Kiyoshi Kurosawa’s Realistic Lens on Times of Crisis
Director Kiyoshi Kurosawa won the Silver Lion for best director at the Venice International Film Festival for Wife of a Spy. What did he reveal in his first-ever historical drama? What questions did he raise in the film? -
「時音」Vol.3 How CHAI Is Connecting With the World From Home
TOKION spoke to CHAI about the concept behind their band and how the coronavirus has influenced their music. -
「時音」Vol.2 Neither journalism nor a documentary: The new possibilities of beautiful photograph -Nagi Yoshida-
The beauty of the initial impulse or the absolute sense does not change. What does Nagi Yoshida see when she travels across the globe to practice photograph? -
「時音」 Vol.1 “Undreamt Chapter”- Contrasting a changing world with the non-changing self Jun Miyake scored the theme track for “TOKION”
Jun Miyake, a musician based in Paris, is active on the world stage. “Stolen from Strangers” (2007), which was the introduction on the epic Lost Memory Theater, act-1 to act-3 (2013-2017) and was reprinted on an analog disc in April, 2007, is still fresh in my memory. From jazz and classical to chanson, electro, South American and Bulgarian voices, the music transcends borders and genres and even the concept of time. Though shaken by the corona virus pandemic, Jun Miyake, a rare musician, wrote a song for “TOKION.”